Sound Equipment Hire

Vocal Microphones Radio Microphones Instrument Microphones Amplifiers Speakers Mixing Consoles

Vocal Mics

Radio Mics

Instrument Mics

Amplifiers

Speakers

Mixers

Graphic Equalisers Processors Compressors CD / MD Players - Tascam, Denon, Sony XLR Leads Speaker Stands, Mic stands

Graphics

Processors

Compressors

CD/MD Players

Audio Leads

Accessories

Professional Sound Equipment Hire for your events, from a single microphone and small sound system for wedding speeches to a full festival production service.

 

We provide bespoke packages to suit your requirements.

 

If you are looking for something that you cannot find here please don't hesitate to call us.

Vocal Microphones

Shure SM58

Shure SM58

The Shure SM58 is an ideal choice for a professional vocal artist in any live performance setting. It is tuned to accentuate the warmth and clarity of lead and backing vocals. Even in extreme conditions, the SM58 is tailored to target the main sound source while minimizing background noise. It is also very popular with dJ's and presenters.

Per Day

£5.00  (£6.00 incl vat)

 

Per Week

£10.00  (£12.00 incl vat)

Guide

Shure Beta 58A

Shure Beta 58A

The Shure Beta 58A is a premium vocal microphone ideally suited for professional lead and backup vocals, either on stage or in the studio.

Per Day

£8.00  (£9.60 incl vat)

 

Per Week

£16.00  (£19.20 incl vat)

Guide

Heil PR 35

Heil PR 35

The Heil PR 35 is equally at home in your hand as it is mic’ing a guitar cabinet, or cradled in a broadcaster’s boom. The mic has excellent articulation & a natural upper mid-range along with a smooth flat response throughout.

 

You will be hard-pressed to experience overload or feedback with a PR 35. It features a low-cut roll off switch, allowing you to prevent low end feedback loops from ever getting started.

 

The PR 35 will provide high-end studio results live, in the studio, or wherever. In addition to vocals, the PR 35 is great for a variety of instruments including guitar cabinets, drums, and more.

 

Per Day

£12.50  (£15.00 incl vat)

 

Per Week

£25.00  (£30.00 incl vat)

Guide

AKG CHM 99

AKG CHM99

The CHM 99 Condenser Hanging Microphone is both easy to use and functional. There is hardly a more affordable and simpler solution. Suspended from the ceiling or a beam, the microphone is aligned and fixed in position using the spring steel clamp to set the angle.

 

Per Day

£7.50  (£9.00 incl vat)

 

Per Week

£15.00  (£18.00 incl vat)

Guide

AKG C 451 EB + CK 9 Shotgun

AKG C451 + CK9

The AKG CK 9 is designed to offer the highest degree of sound power concentration with the smallest dimensions possible. The interference and gradient principles are combined for greatest reach and for eliminating undesired side and background noise.

 

The distance of the sound source may be three times that of conventional cardioid microphones. Together with the C451 the CK9 is widely used in TV and film sound-track recording, on stage, and for reporter work.

 

NB: Because of its high directivity it is sensitive to wind noise which necessitates the use of efficient windscreens when recording outdoors or with a boom.

 

Per Day

£17.50  (£21.00 incl vat)

 

Per Week

£35.00  (£42.00 incl vat)

Guide

Audio Technica Pro 49QL Conference Microphone

AKG C451 + CK9

The PRO 49QL quick-mount double-gooseneck cardioid condenser microphone is designed to plug into any standard XLRF-type surface or cable connector.

 

 

  • Wide-range condenser element with low-mass diaphragm for superior performance
  • Self-contained electronics eliminate need for external power modules
  • Flat, smooth frequency response
  • Quiet, fixed-placement long-life gooseneck
  • Plugs into any standard XLRF-type surface or cable connector
  • Overall length of 16.46" (418.0 mm)
  • Complete with disc base stand

 

Per Day

£12.00  (£14.40 incl vat)

 

Per Week

£24.00  (£28.80 incl vat)

Guide

Wireless Microphones

Sennheiser Rack - 4 x EW112 G3 Headset Systems

Sennheiser Rack - 4 x E100 G3 Headset Systems

Wireless solution for professionals, amateurs, schools, colleges, and theatres. Our rack cases  comprise of  4 x SK100 G3 body pack transmitters, 4 x EM100 G3 receivers and 4 x Proel HCM08Pro discreet Beige Headset microphones, making them ideal for theatre and presentation use.

 

We provide these extensively for theatrical and musical productions and our clients have been extremely pleased with the results.

 

NB: The Proel HCM08 headset microphones we supply are not to be confused with other 'cheap' versions available on-line. These headsets are a quality product and fully adjustable making them suitable for children and adults.

 

Per Day

£120.00  (£144.00 incl vat)

 

Per Week

£240.00  (£288.00 incl vat)

e100G3 Guide

Headset Guide

Sennheiser EW165 G3 Handheld System

Sennheiser EW165 G3

Condenser microphone technology designed for the stage...This system's microphone capsule is based on the well-known evolution e865 condenser. With a wide frequency response and high sensitivity, this is the elite handheld model in the G3 100 series.

 

With excellent sound and simple operation, this system delivers all the emotion and passion of the performer directly to the audience - without making any compromises.

 

Per Day

£30.00  (£36.00 incl vat)

 

Per Week

£60.00  (£72.00 incl vat)

Guide

Instrument Microphones

AKG C1000S

AKG C1000s

The versatility of the AKG C1000S makes it a popular model, and one ideally suited for all kinds of recording and live sound applications. If phantom power is not available, the microphone can be powered by a standard 9 V battery, making it perfect for mobile use.

 

Per Day

£5.00  (£6.00 incl vat)

 

Per Week

£10.00  (£12.00 incl vat)

C1000s Guide

AKG C 451 EB + CK 1

AKG C451 + CK1

The AKG C 451 EB + CK 1 is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead use. It is almost totally insensitive to handling noise and features an all metal body for excellent protection from RF interference.

Per Day

£14.00  (£16.80 incl vat)

 

Per Week

£28.00  (£33.60 incl vat)

C451 Guide

AKG C 214

AKG C214

The AKG C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. It captures sound combining one side of the legendary C414 dual-capsule system and AKG’s patented Back-Plate Technology which results in an outstanding performance close to the famous C414 B-XLS.

 

Like the C414 models, the C214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch—all in an elegant but rugged package.

 

Additional features include an integrated suspension, a double mesh grill, high RF immunity without affecting acoustics. The circuitry in the C214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.

 

Per Day

£12.00  (£14.40 incl vat)

 

Per Week

£24.00  (£28.80 incl vat)

C214 Guide

AKG C214 Matched Stereo Pair

AKG C214 matched stereo pair

PERFECT TWINS for stereo recording of any acoustic instruments in studio and on stage.

The C214 large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family.

 

 

The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.

 

The C214 Matched Pair Stereo Set Package includes:

 

2 x C214

2 x Elastic spider suspensions

2 x SA60 stand adapter

2 x Windscreen

1 x Aluminum carrying case

 

The C214 will also work on low phantom power voltages from 12 up to 48 volts.

 

Per Day

£25.00  (£30.00 incl vat)

 

Per Week

£50.00  (£60.00 incl vat)

C214 Guide

AKG D112

AKG D112

The AKG D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion.

 

A specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ.  The result is a kick drum sound that ideally balances precise definition and forceful impact.

 

The D 112 is also an excellent choice for use with bass cabinets, trombones, etc.

 

Per Day

£6.00  (£7.20 incl vat)

 

Per Week

£12.00  (£14.40 incl vat)

D112 Guide

Sennheiser e906

Sennheiser e614

The Sennheiser super-cardioid e906 instrument microphone was especially designed for guitar amplifiers, but it is also an excellent choice for percussion and brass instruments.

 

 

 

Lively full sound | Very fast attack | Flat shape of microphone body perfect for guitar amps | Three adjustable sound characteristics (bright, normal, smooth) | Hum compensating coil | Rugged metal body

 

Per Day

£7.00  (£8.40 incl vat)

 

Per Week

£14.00  (£16.80 incl vat)

e906 Guide

Shure Beta 52A

Shure Beta 56a

The Shure Beta 52A microphone drum microphone provides low-frequency bass punch and SPL handling. It includes dynamic locking stand adapter for easy set-up, steel mesh grille for durability, shock mount for sound isolation, and neodymium magnet for high signal-to-noise ratio.

 

Frequency response shaped specifically for kick drums and bass instruments.

Built–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum.

Studio quality performance, even at extremely high sound pressure levels.

Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise.

Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration.

Low sensitivity to varying load impedance.

Legendary Shure quality and reliability.

 

Per Day

£7.50  (£9.00 incl vat)

 

Per Week

£15.00  (£18.00 incl vat)

Beta 52a Guide

Shure Beta 57A

Shure SM57

The Shure Beta 57A is a precision-engineered dynamic microphone designed for detailed reproduction of amplified and/or acoustic instruments. A tight supercardioid polar pattern provides high gain before feedback in demanding environments.

 

Per Day

£6.00  (£7.20 incl vat)

 

Per Week

£12.00  (£14.40 incl vat)

Beta 57a Guide

Shure Beta 91A

Shure SM57

The Shure Beta 91A kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximize attack and clarity and a low-profile design.

 

Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound.

Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter.

Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments.

Two-position contour switch to maximize attack and clarity depending on application – select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack.

Requires no external mounting.

 

Per Day

£12.50  (£15.00 incl vat)

 

Per Week

£25.00  (£30.00 incl vat)

Beta 91a Guide

Shure PGA81

Shure SM57

The PGA81 cardioid condenser instrument microphone is a professional quality flat-response microphone featuring highly durable design and construction that delivers excellent sound. Ideal for use in sensitive acoustic instrument performance and recording, the PGA81 comes with a swivel adapter, carrying pouch and XLR cable. Phantom power required.

 

Weight: 186 g | Frequency Response: 40 Hz – 18 kHz | Frequency Response: Flat | Sensitivity: -48.50 dBV/Pa – 3.80 mV/Pa | Equivalent Selfnoise: 20 dB(A) | Sound Pressure: 129.5 dB SPL | Transducer Type: Condenser | Polar Pattern: Cardioid | Switchable low cut: No | Connectors: 3 Pin XLR | Attenuator: No | Interchangeable Capsule: No | Main Functionality: Performance | Headphone Output: No | Requires Phantom Power: 48 VDC | Cartridge: Fixed

 

Per Day

£5.75  (£6.90 incl vat)

 

Per Week

£11.50  (£13.80 incl vat)

PG81Guide

Amplifiers

D&B Audiotechnik D12 Control Amplifier

MC2 T1000 Amp

The D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains set-ups for all d&b loudspeakers and a linear mode.

 

Digital Signal Processing

Equalizer: 4-band PEQ/Notch | Latency: analogue and digital inputs 0.3 msec. | Delay setting: 0.3 - 340 msec. with 0.1 msec. detents | Configurations: current d&b loudspeakers and linear mode | Function switches: d&b loudspeaker specific circuits | Frequency generator: Pink noise or Sine wave | Sampling rate: 96 kHz/27 Bit ADC/24 Bit DAC

Controls and indicators

Power: Mains power switch | Scroll/Edit: Digital rotary encoder | Display: Liquid Crystal Display (LCD)/120 x 32 pixel | ISP, GR, OVL A/B: LED indicators

Connectors

INPUT ANALOGUE (A1, A2): 3 pin XLR female | ANALOGUE LINK (A1, A2): 3 pin XLR male | INPUT DIGITAL (D1, D2): 3 pin XLR female AES 3 | DIGITAL LINK (Output): 3 pin XLR male | Sampling rate: 48 kHz/96 kHz | OUT CHANNEL A/B: NL4 - optional EP5/NL8 | REMOTE: 2 x RJ 45 parallel, CAN-Bus | SERVICE: SUB-D9 female | Mains connector: powerCON® 1

Data (linear setting with subsonic filter)

S/N ratio (unweighted, RMS): > 110 dBr | Rated output power (THD + N < 0.5%, both channels driven) CF = 6 dB at 4 / 8 ohms: 2 x 1200 / 750 W,  CF = 12 dB at 4 / 8 ohms: 2 x 1600 / 800 W

Power supply

Autosensing switch mode power supply for: 115/230 V, 50 - 60 Hz

Dimensions / weight

Dimensions (H x W x D): 3 RU x 19” x 353 mm/13.9” | Weight13 kg

 

Per Day

£30.00  (£36.00 incl vat)

 

Per Week

£90.00  (£108.00 incl vat)

D12 Hardware Guide

D12 Software Guide

MC2 T1000

MC2 T1000 Amp

The high performance T Series features MC² Audio’s complementary Class AB bipolar topology and the unique MC² Audio current driven floating drive stage.

 

 

Number of Channels: 2

Output Power: (per channel) 8 ohms 450W / 4 ohms 750W / 2 ohms 1150W

Output Power: (bridged) 8 ohms 1500W / 4 ohms 2300W

THD%: (@1dB below max output) @ 1kHz <0.008% / 20Hz to 20kHz <0.03%

Gain / Sensitivity: Gain 32dB / Sensitivity (for max power) +3.5dBu (1.20V)

Frequency Response: 20Hz to 20kHz (+ 0/- 0.5dB)

Power Consumption: Nominal @ 240v into 4 ohms 1.9A

Dimensions: (2U) (mm) 88(h) x 482(w) x 428(d)

Weight: 13.8kg

 

Per Day

£15.00  (£18.00 incl vat)

 

Per Week

£30.00  (£36.00 incl vat)

MC2 Guide

MC2 Data

QSC-PLX 2402

Alto SXM112a Wedge

The QSC-PLX series amps are a line of amplifiers that defines high impact. They utilise the PowerLight® Technology used in the award-winning PowerLight Series, for chest-pounding bass and crystal-clear highs. They also features hum-free noise floor and ultra-low distortion.

 

Stereo mode/both channels driven: 8 ohms 20Hz-20kHz 0.03 THD/425W; 4 ohms 20Hz-20kHz 0.05 THD/700W; 2 ohms 1kHz 1 THD/1200W

Bridge mono mode: 16 ohms 20Hz-20kHz 0.1 THD/850W; 8 ohms 20Hz-20kHz 0.1 THD/1500W; 4 ohms 1kHz 1 THD/2400W

Signal to noise (20Hz-20kHz):<-106 dB

Input sensitivity @ 8 ohms: 1.0Vrms

Input sensitivity @ 4 ohms: 0.9Vrms

Voltage gain: 40x (32 dB)

Output circuitry: 2-StepClass H

Distortion (SMPTE-IM): less than 0.01

Distortion (typical): 20Hz-20kHz: 10 dB below rated power--less than 0.01 THD; 1.0kHz and below: full rated power--less than 0.01 THD

Frequency response: 20Hz-20kHz, +/- 0.2 dB/8Hz-50kHz, +0, -3 dB

Damping factor: greater than 500

Input impedance: 6K ohms unbalanced, 12K ohms balanced

Input clipping: 10 Vrms (+22 dB)

Cooling: variable-speed fan, rear-to-front air flow

Input: 3-pin XLR 1/4-in. TRS balanced

Output: Neutrik Speakon(TM) and touch-proof binding posts

Amplifier protection: full short circuit, open circuit, thermal, ultrasonic, and RF protection

Load protection: on/off muting, DC-fault power supply shutdown

 

Per Day

£15.00  (£18.00 incl vat)

 

Per Week

£30.00  (£36.00 incl vat)

Guide

Passive Speakers

D&B M4 Stage Monitor/Speaker

Alto SXM112a Wedge

The M4 is a 2-way high performance stage monitor employing an integrated 15” LF and 1.3” exit horn loaded HF coaxial driver design that utilizes neodymium magnets. The constant directivity dispersion of 50° x 70° (h x v), which this unique horn provides, delivers an accurately defined coverage area on stage.

The M4 can also be operated in 2-Way Active mode. When the cabinet is used in an upright position the M4 serves as a powerful PA loudspeaker with a 70° x 50° dispersion suitable for a variety of applications. For dedicated installation applications the dispersion characteristics of the M4 driver assembly can be rotated in 45° increments. The M4 cabinet is constructed from marine plywood, which incorporates the handles, has an impact resistant paint finish, M10 threaded inserts and a socket to accept loudspeaker stands.

 

NB - Prices quoted are per speaker.

 

Per Day

£30.00  (£36.00 incl vat)

 

Per Week

£90.00  (£108.00 incl vat)

Guide

D&B Q1 Speaker

Alto SXM112a Wedge

The Q1 is a passive 2-way loudspeaker housing two 10" LF drivers positioned in a di-polar arrangement and a 1.3" HF compression driver fitted to a toroidal wave-shaping device. The 75° constant directivity horizontal dispersion pattern is maintained down to 400 Hz, while the vertical HF dispersion of 15° allows the Q1 to be used to construct vertical columns that produce a curved coherent wavefront. The mechanical and acoustical design of the cabinet enables vertical splay angles to be set between 0° and 14°. Q1 cabinets can therefore be used in vertical configurations starting from two cabinets with a 15° to 30° dispersion, up to 20 cabinets with a fully user and venue defined vertical profile. The Q1 cabinet is constructed from marine plywood, incorporates a pair of handles and has an impact resistant paint finish. The front of the loudspeaker is protected by a rigid metal grill covered with replaceable acoustically transparent foam, and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel.

 

NB - Prices quoted are per speaker.

 

Per Day

£30.00  (£36.00 incl vat)

 

Per Week

£90.00  (£108.00 incl vat)

Guide

D&B Q7 Speaker

Alto SXM112a Wedge

The Q7 is a 75° x 40° passive 2-way loudspeaker housing two 10" LF drivers and a 1.3" HF compression driver with a rotatable constant directivity horn and a passive crossover network. The two 10" neodymium LF drivers are positioned in a dipolar arrangement providing exceptional vertical dispersion control with the nominal angle being maintained down to 400 Hz. The Q7 with the horn rotated is used to mount the loudspeaker horizontally where space is limited, or the maximum horizontal pattern control is needed and when added to the bottom of Q1 arrays. The Q7 can be used as a stand-alone full range system, in combination with other Q-Series cabinets ground stacked or mounted on a high stand with a swivel bracket. They can also be combined in flown array systems. The Q7 cabinet is constructed from marine plywood and has an impact resistant paint finish. The front of the loudspeaker cabinet is protected by a rigid metal grill, covered with a replaceable acoustically transparent foam. The cabinet incorporates a pair of handles and mounted on the rear panel are two EP5 or NL4 connectors wired in parallel.

 

NB - Prices quoted are per speaker.

 

Per Day

£30.00  (£36.00 incl vat)

 

Per Week

£90.00  (£108.00 incl vat)

Guide

D&B Q Sub - Subwoofer

Alto SXM112a Wedge

The Q-SUB is an actively driven low compression bass-reflex loudspeaker fitted with a high excursion 18" driver. d&b SenseDrive technology is available when powered by the D12 amplifier. The Q-SUB is mechanically compatible with the Q1 and Q7; ten sockets in the front grill and side panels for Q-Series rigging components permit use in various combinations, either flown or ground stacked. The Q-SUB cabinet is constructed from marine plywood with an impact resistant paint finish, a pair of handles, four heavy duty wheels and an M20 threaded flange in the top panel to accept a loudspeaker stand. The front of the loudspeaker cabinet is protected by a rigid metal grill covered with replaceable acoustically transparent foam and two EP5 or NL4 connectors wired in parallel are mounted on the rear panel. Two runners protect the bottom of the cabinet from scratching; these are located in correspondingly shaped recesses in the top panel to prevent movement when stacked.

 

NB - Prices quoted are per speaker.

 

Per Day

£20.00  (£24.00 incl vat)

 

Per Week

£60.00  (£72.00 incl vat)

Guide

D&B B2 - Subwoofer

Alto SXM112a Wedge

The B2 subwoofer with its high output bandpass horn design and extremely high SPL is ideal for extended bass requirements. It is configurable to be either an infrabass for the C4 system or a high output, alternative subwoofer for the F1222 or C7 systems. When used with a C4 system, d&b recommend a ratio of four C4-SUBs to one B2. The B2 cabinet is constructed from marine plywood, has an impact resistant paint finish and eight integral steel handles. The front of the subwoofer cabinet is fitted with catches at the sides for securing an optional wooden lid, and mounted on the rear are four heavy duty wheels.

 

NB - Prices quoted are per speaker.

 

Per Day

£50.00  (£60.00 incl vat)

 

Per Week

£150.00  (£180.00 incl vat)

Guide

Active Speakers

Alto SXM112A - Active Speaker

Alto SXM112a Wedge

The SXM112A delivers sound with a high-performance 12-inch LF driver (2-inch voice coil), and an exacting 1-inch HF driver. It utilizes a trapezoidal design which greatly decreases the resonance of the standing wave in the cabinet for a more true and exact sound reproduction.

 

Specification:

ACTIVE 800 WATT 2-WAY STAGE MONITOR

800 Watts Class D power | 12” coax woofer, 1” neodymium driver | XLR/Line input with volume control, XLR output to link speakers | 16 modeling presets to tweak the sonic characteristic of your sound | Rugged multi-layer birch plywood cabinet with recessed handles | Dimensions (HxWxD): 313 mm x 393 mm x 513 mm | Net Weight: 11.85 kg.

 

NB - Prices quoted are per speaker.

 

Per Day

£15.00  (£18.00 incl vat)

 

Per Week

£30.00  (£36.00 incl vat)

Guide

Turbosound M12 - Active Speaker

Turbosound M12

The Milan M12 1100w 2 Way 12" Full Range Powered Loudspeakers incorporates KLARK TEKNIK Digital Signal Processing for total system control.

 

NB - Prices quoted are per speaker.

Per Day

£20.00  (£24.00 incl vat)

 

Per Week

£40.00  (£48.00 incl vat)

Guide

Turbosound M15B - Active Sub-Woofer

Turbosound M15B Sub

The M15B Subwoofers offer 2,200w power featuring KLARK TEKNIK Class-D technology.

 

NB - Prices quoted are per speaker.

 

Per Day

£40.00  (£48.00 incl vat)

 

Per Week

£80.00  (£96.00 incl vat)

Guide

Mixing Desks

Allen & Heath GLD 112

Allen & Heath GLD112

GLD is a user-friendly, cost effective, scalable live digital mixing system, conceptually based on the successful iLive series. A standard 32 input GLD system offers 28 XLR mic inputs with plug n’ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs)

 

 

48 input processing channels | 8 stereo FX returns fed by iLive’s acclaimed FX emulations | 30 configurable buses | 20 mix processing channels | DSP power to provide full processing without compromise.

 

Includes AR2412 Stage Box & 80m Audio Tour Grade Ethercon Cable.

 

Add AR84 expander - £10.00 Day / £20.00 Week (excl VAT).

 

Per Day

£145.00  (£174.00 incl vat)

 

Per Week

£290.00  (£348.00 incl vat)

Guide

Spec

Quick Mix Guide

Allen & Heath Qu-16

Allen & Heath GLD112

Qu-16 innovative design and exceptional functionality creates a superb professional mixing experience. With all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems.

 

Qu series features multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.

 

16 Mono Mic/Line Inputs (TRS + XLR) | Recallable AnaLOGIQTM Preamps | 3 Stereo Inputs (TRS) | 12 Mix Outputs (XLR) | 7 Monitor Mixes (4 mono + 3 stereo) | 4 FX Engines | 2 dedicated FX Sends / Returns | 4 Mute Groups | 4 DCA Groups | AES Digital Out | 24×22 USB Audio Interface | dSNAKETM Remote Audio Port | 17 Motor Faders | Touchscreen | 4 Soft Keys | Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs | Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs | Channel Ducker on all Inputs | iLive FX Library | Built-in Signal Generator | RTA with Peak Band indication | Spectrogram to aid feedback elimination and room acoustics | DAW MIDI Control | Qu-Pad iPad App | Qu-You iPhone / Android personal monitoring app | Qu-Control customisable iOS app for simple wireless control | Compatible with ME Personal Mixing System.

 

Add:

AR2412 Stage Box & 80m Audio Tour Grade Ethercon Cable -

AR84 expander - £10.00 Day / £20.00 Week (excl VAT).

 

Per Day

£60.00  (£72.00 incl vat)

 

Per Week

£120.00  (£144.00 incl vat)

Reference Guide

Tech Data

Getting Started

Allen & Heath SQ-6

Pioneer DJM-900NXS2

SQ-6 is a next generation digital mixer, powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine. Created to excel in demanding scenarios the SQ-6 offers class-leading high-resolution audio fidelity and an ultra-low latency of <0.7ms. The console features 24 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing* makes it an excellent choice for conferences, panel talks and more.

 

96 kHz FPGA processing | 25 Faders / 6 Layers | 12 Stereo mixes (perfect for in-ear monitoring setups) + LR | 3x Stereo matrix | 8x Internal stereo FX with stereo returns | DEEP processing enables the integration of plug-ins directly into the mixer inputs and mix channels | 7" Touchscreen | S-Link port for remote audio / expansion | 64ch I/O port for audio networking | 32 x 32 USB audio interface | SQ-Drive direct recording to USB | AES output | Chromatic channel metering | Integrated LED illumination per fader | Dedicated physical controls | 16 Assignable Soft Keys | 4 Assignable Soft Rotaries | LCD channel displays | Compatible with the ME 1 and ME-500, as well as Dante or Waves audio networking cards |  Dimensions: 638 x 514.9 x 198 mm | Weight: 13.3 kg

 

Per Day

£100.00  (£120.00 incl vat)

 

Per Week

£300.00  (£360.00 incl vat)

SQ-6

Guide

PDF Icon

Midas M32

Pioneer DJM-900NXS2

Live performance and studio recording digital console with up to 40 simultaneous input channels

 

 

32 Microphone inputs | 16 XLR outputs | 8 DCA groups | 6 Mute Groups | 25 Motorised faders | 7" Colour display | 32 x 32 USB Audio Interface | DAW Remote control | Wireless control over IOS App | Dimensions: (W x D x H): 891 x 607 x 256 mm | Weight: 24.5 kg

 

Per Day

£100.00  (£120.00 incl vat)

 

Per Week

£300.00  (£360.00 incl vat)

Midas M32

Manual

PDF Icon

Midas Pro-1

Pioneer DJM-900NXS2

The PRO1 breaks new ground for MIDAS digital consoles, featuring an all-new, lightweight aluminium frame, PRO1 is the first stand-alone MIDAS digital console, and sets new standards of portability and performance for a “compact” digital console.

 

PRO1 is easy to configure and operate. Engineers who are new to MIDAS digital can relax, enjoy the PRO1’s sample-synchronous audio quality, and mix from well within their comfort zone. Engineers familiar with MIDAS can just load their existing showfile straight into the PRO1, regardless of which MIDAS digital console it was created on, and carry on working.

 

24 mic/line inputs with Midas mic preamps | 48 simultaneous input processing channels |

24 analog outputs (including 2 stereo local monitor outputs) | 3 AES3 outputs | 2 AES3 inputs | 27 sample-synchronous, phase-coherent mix buses | 6 multi-channel FX engines | Up to 28 Klark Teknik DN370 31-band graphic EQs | Full-color 15-inch daylight-viewable display screen | 8 VCA (Variable Control Association) groups | 6 POPulation groups | 96 kHz, 40-bit floating-point processing throughout | 3 AES50 ports for connection to external AES50 devices

 

Per Day

£125.00  (£150.00 incl vat)

 

Per Week

£375.00  (£450.00 incl vat)

Midas Pro-1

Manual

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Midas Pro-2

Pioneer DJM-900NXS2

The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.

 

156 inputs x 166 outputs (max capacity) point-to-point routing anywhere within the Network

 | 56 mic/line inputs with Midas mic preamps | 64 simultaneous input processing channels |

32 analogue outputs (including 2 stereo local monitor outputs) | 3 AES3 outputs | 2 AES3 inputs | 27 sample-synchronous, phase-coherent mix buses | 6 multi-channel FX engines | Up to 28 Klark Teknik DN370 31-band Graphic EQs | Full-colour 15" daylight-viewable display screen | 8 VCA (Variable Control Association) groups | 6 POPulation groups | 192 MCA (Mix Control Association) groups | 96kHz 40-bit floating-point processing throughout.

 

Per Day

£200.00  (£240.00 incl vat)

 

Per Week

£600.00  (£720.00 incl vat)

Midas Pro-2

Manual

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Pioneer DJM-900NXS2

Pioneer DJM-900NXS2

Take your performance to new heights with the DJM-900NXS2, which features our first ever 64-bit mixing processor for a warmer, more nuanced sound. We’ve fine-tuned the EQ and fader curves and enhanced the FX controls to give you even more creative choice.  The versatile DJM-900NXS2 has an independent Send/Return, 4 phono inputs and 2 USB ports – giving you flexibility to set it up your way.

 

Per Day

£60.00  (£72.00 incl vat)

 

 

DJM-900NXS2

Quick Start Guide

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DJM-900NXS2 Manual

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Allen & Heath GL2200 - 424

A & H GL2200-424

The Allen & Heath GL2200 was built to be a ‘go anywhere, do anything’ desk. With its sturdy vertical PCB construction, dual front-of-house / monitor mixing mode switching, 4 groups, 6 switchable auxes, direct outs, line-up oscillator, talkback and more, this console can handle pretty much any live mixing or recording task.

Per Day

£40.00  (£48.00 incl vat)

 

Per Week

£80.00  (£96.00 incl vat)

Guide

Allen & Heath GL2200 - 412

A & H GL2200-424

The 412 offers 10 mono, 2 full-feature stereo channels, 2 stereo returns, 4 group, 6 aux buses, 4-band EQ with swept mids, input metering, channel direct outs, 2-track send and return. 48V phantom switchable on each channel. Inserts on all mono inputs, and talkback combine to produce an incredibly versatile mixer for live performances.

Per Day

£30.00  (£36.00 incl vat)

 

Per Week

£60.00  (£72.00 incl vat)

Guide

Mackie PROFX-8

Mackie ProFX-8

The ProFX8 offers a complete and truly professional feature set, perfect for solo performers, small performing acts or any small venue that needs it all, without the hefty price tag. There’s even USB I/O for recording the set.

 

 

Professional 8-channel Compact Mixer with onboard effects and USB I/O | 4 low-noise, high-headroom Mackie mic preamps with easy LED metering | 32-bit RMFX™ processor with

16 'Gig-Ready' reverbs, choruses and delays | Precision 7-band graphic EQ for tuning Mains or Monitors | USB I/O for recording shows and music playback via Mac or PC | RCA Tape In jacks, with a dedicated level control for your favourite external playback device | Phantom power | Dual-ladder LED metering.

 

Per Day

£10.00  (£12.00 incl vat)

 

Per Week

£20.00  (£24.00 incl vat)

Guide

Hook-Up

Mackie 1202 VLZ Pro

Mackie ProFX-8

The VLZ Pro 12/2 professional mixer offers a complete feature set, perfect for solo performers, small performing acts or any small venue that needs it all, without the hefty price tag.

 

 

4 mic preamps | 12 line inputs (4 mono, 4 stereo pairs) | Separate RCA tape/CD inputs and tape outputs (unbalanced) | 2 aux sends | Constant-loudness pan pots | PFL Stereo in-place Solo on each channel | 2 stereo aux returns with EFX to Monitor | Aux 1 master with Monitor/Post assign | 3-band active EQ (80Hz, 2.5kHz, 12kHz) | 18dB/oct. 75Hz Lo Cut filter | Extra ALT 3-4 stereo bus for sub-mixes, separate recording, monitor, and 'mix minus' feeds | Control Room/Phones multi-input source matrix | Phantom power.

 

Per Day

£10.00  (£12.00 incl vat)

 

Per Week

£20.00  (£24.00 incl vat)

Guide

Graphic Equalisers

Klark Teknik DN360

Klark Teknik DN360

The Klark Teknik DN360 is one of the most popular analogue graphic equalisers available, it has been in continuous production for over twenty years.

 

 

Features include two x thirty 30mm oil damped precision faders graphically positioned at 1/3 octave ISO frequencies between 25Hz-20kHz, proprietary circuit designs utilising "MELT" filters giving unbeatable performance.

 

Comprehensive standard specifications include electronically balanced inputs and LED overload indicators, earth lift switch enables signal and chassis grounds to be isolated eliminating ground-loop problems, equalisation by-pass allowing easy comparison between direct and equalised signals and scale switching gives the choice of either high fader resolution (±6dB) or normal (±12dB).

 

Per Day

£25.00  (£30.00 incl vat)

 

Per Week

£50.00  (£60.00 incl vat)

Guide

Klark Teknik Square One

Klark Teknik DN360

The Klark Teknik Square One is a Dual 30 Band, 1/3 Octave Analogue Graphic Equaliser with Enhanced Proportional-Q Response.

 

 

  • Enhanced Proportional-Q equalisation provides both smooth contouring EQ and High-Q notches
  • Fixed 80 Hz high-pass and 12 kHz low-pass filters per channel with bypass switches
  • Long-throw 45 mm oil-damped faders with dust covers for increased accuracy and reliability
  • Channel bypass switch
  • Power-off bypass relays
  • Electronically balanced inputs and outputs on both Neutrik* XLR and 1/4” TRS connectors
  • Rugged 3U rackmount chassis for durability in portable applications
  • Auto-ranging universal switch-mode power supply
  • Designed and engineered in England

 

Per Day

£25.00  (£30.00 incl vat)

 

Per Week

£50.00  (£60.00 incl vat)

Guide

Effects & Processors

Lexicon MPX 550

Lexicon MPX 550

The Lexicon MPX 550 is a true stereo, dual-channel processor with 24-bit internal processing, analog-to-digital conversion, and digital-to-analog conversion. It offers 255 presets with classic Lexicon reverb, including Tremolo, Rotary, Chorus, Flange, Pitch, Detune, 5.5 second Delay, Echo, and Compression.

 

 

Dual-channel processing creates two independent effects in Dual Stereo (Parallel), Cascade, Mono Split, and Dual Mono combinations.

 

A large, graphic front panel display provides at-a-glance viewing of program and system status. Programs are organized into 28 banks, with 27 for presets and 1 for user programs. The PROGRAM knob scrolls through all stored programs, or between banks for faster selection. Each program includes up to 20 adjustable parameters, which are organized into “Edit Pages" that consist of four parameters each. The Edit Pages button cycles through available Edit Pages for the selected program.

 

Per Day

£15.00  (£18.00 incl vat)

 

Per Week

£30.00  (£36.00 incl vat)

Guide

Lexicon PCM 91

Lexicon PCM 91

The Lexicon PCM 91 gives you renowned high-end reverb effects with a powerful interface that provides easy access to superbly crafted presets as well as a wealth of programming capabilities for the sound designer.

 

 

The unit contains a built-in library of 450 reverb effects that simulate realistic halls, rooms and plates, and let you create completely natural, or other-worldly spaces. The presets are organized into 9 Banks of 50, and are functionally grouped for different applications.

 

Per Day

£40.00  (£48.00 incl vat)

 

Per Week

£80.00  (£96.00 incl vat)

Guide

Yamaha SPX1000

Yamaha SPX1000

The SPX1000 provides simultaneous processing up to 5 effects at one time. Both "series" and "parallel" combinations are provided. With a sampling frequency of 44.1 kHz, it delivers full, flat frequency response from 20 Hz to 20 kHz.

 

 

Any of the 40 preset effect programs can be edited, re-titled, and stored in any of 59 RAM (user memory) locations.

 

The stereo analogue inputs and outputs can be switched to match -20 dBm or +4 dBm. The SPX1000 also allows selection of Analogue, PRE, Post, Digital I/O modes. In addition to the digital I/O configurations, the unit offers a choice of input modes that provide increased system flexibility:  Stereo Normal, Stereo Reverse, Mono L, and Mono R.

 

Per Day

£20.00  (£24.00 incl vat)

 

Per Week

£40.00  (£48.00 incl vat)

Guide

Compressors / Gates

DBX-266XL

DBX-266XL

The superb engineering in the DBX-266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artefacts.

 

 

When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the centre settings deliver classic DBX compression, while the full control range produces voicing that extend from slow “leveling” to aggressive “peak” limiting.

 

Per Day

£5.00  (£6.00 incl vat)

 

Per Week

£10.00  (£12.00 incl vat)

Guide

BSS DPR-404

BSS DPR-404

The DPR-404 is a 4 channel compressor with high frequency de-essing. Each channel includes: Threshold control | Below threshold metering | Ratio control | A gain reduction meter | A clip LED | Gain control | Linking | High frequency de-esser.

 

 

Attack and release time constants are automatically and continually regulated by dynamic and harmonic content of program material.

 

The unit features electronically balanced inputs and outputs.

 

Per Day

£20.00  (£24.00 incl vat)

 

Per Week

£40.00  (£48.00 incl vat)

Guide

CDJ / CD / MD Players

Pioneer CDJ-2000NXS

Pioneer CDJ-2000NXS

The highly evolved CDJ-2000NXS includes advanced features, including 4-deck Beat Sync, Slip Mode and Hot Cue Auto Load.  Use the included rekordbox software or download the rekordbox™ app to prepare mind-blowing sets, or use the HID support to perform with other DJ software without a control disk.

 

Per Day

£60.00  (£72.00 incl vat)

 

 

CDJ-2000NXS

Quick Start Guide

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CDJ-2000NXS Manual

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Pioneer CDJ-2000NXS2

Pioneer CDJ-2000NXS2

The highly evolved CDJ-2000 NXS2 includes advanced features, including 4-deck Beat Sync, Slip Mode and Hot Cue Auto Load.  With Pro DJ Link you can connect multiple players, turntables or laptops via LAN connection and share a single source. Combine this with rekordbox to access pre-prepared loops and cues, sync the beat with the master deck, and access a host of advanced pro-DJ features.

 

Per Day

£60.00  (£72.00 incl vat)

 

 

CDJ-2000NXS2

Quick Start Guide

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CDJ-2000NXS2 Manual

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CDJ-2000NXS2

Pro DJ Link Set up Guide

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Sony MDS-E10

Sony MDS-E10

The Sony MDS-E10 is a 19"-Mini-Disc Recorder with Atrac 3, long-record-mode for up to 320 min stereo on one MD80. It features 10 Hotstarts, Optical, and Coaxial Digital In/Out ports.

 

Per Day

£20.00  (£24.00 incl vat)

 

Per Week

£40.00  (£48.00 incl vat)

Guide

Sony MDS-S40

Sony MDS-S40

The Sony MDS-S40 has been converted with a foot switch to control the play and Pause, ideal for stage performance.

 

 

The features include 20 bit hybrid pulse ADC, 20 bit DAC, 6 second time machine, digital recording level control (deck has no conventional level indicators).

 

During recording the alphanumerical display changes to 11 level indicating segments. There is no stereo/mono rec switch, mono recording is set from the setup menu. There is no headphone output. TOC-cloning possible.

 

Per Day

£15.00  (£18.00 incl vat)

 

Per Week

£30.00  (£36.00 incl vat)

Guide

Tascam MD 301mk2

Tascam MD 301mk2

The Tascam MD 301mk2 benefits from the balanced XLR and unbalanced RCA ports which offer easy integration with PAs or studios of any level. Digital SPDIF optical I/O is provided for digital transfers.

 

 

An additional SPDIF optical in on the front panel allows easy connection of portable units without crawling into the back of the rack. A PS/2 keyboard port on the front panel allows you to plug an inexpensive PC keyboard in for easier track naming, TOC editing functions and remote control.

 

When simple recording of long material is required, the MD-301mkII can be flipped to a 148 minute mono recording mode. This allows almost two and a half hours of uninterrupted recording on a single MiniDisc.

 

Per Day

£20.00  (£24.00 incl vat)

 

Per Week

£40.00  (£48.00 incl vat)

Guide

Audio Leads & Cables

Audio Cat5e Drum

Audio Cat5

75 metre drum of VDC audio tour grade Cat5 cable with Neutrik EtherCon locking connectors.

 

Per Day

£10.00  (£12.00 incl vat)

 

Per Week

£20.00  (£24.00 incl vat)

Audio Cat5e Drum

Audio Cat5

80 metre drum of Allen & Heath EtherSound approved Etherflex cable with Neutrik EtherCon locking connectors.

 

Per Day

£25.00  (£30.00 incl vat)

 

Per Week

£50.00  (£60.00 incl vat)

XLR Multicore Drum

XLR Multicore Drum

8/4 x 30metre

 

(Item supplied may differ from image shown)

 

Per Day

£10.00  (£12.00 incl vat)

 

Per Week

£20.00  (£24.00 incl vat)

XLR Multicore Drum

XLR Multicore Drum

16/4 x 25metre

 

(Item supplied may differ from image shown)

 

Per Day

£15.00  (£18.00 incl vat)

 

Per Week

£30.00  (£36.00 incl vat)

XLR Leads

XLR Leads

High Quality XLR Leads

Length

1 - 5 metre

10 metre

15 metre

20 metre

25 metre

Per Day or Week

£0.50  (£0.60 incl vat)

£1.00  (£1.20 incl vat)

£1.50  (£1.80 incl vat)

£2.00  (£2.40 incl vat)

£2.50  (£3.00 incl vat)

Speakon Leads

XLR Leads

High Quality Speakon Leads

 

Length

1 - 5 metre

10 metre

15 metre

20 metre

 

Per Day or Week

£0.50  (£0.60 incl vat)

£1.00  (£1.20 incl vat)

£1.50  (£1.80 incl vat)

£2.00  (£2.40 incl vat)

Audio Accessories / DI Boxes / Mic Stands / Speaker Stands

Orchid Dual Micro DI Box

Orchid Dual Micro Di Box

Based on the successful Micro DI Box - this is a dual channel version - suitable for use with keyboards and other stereo sound sources.

 

 

Two jack socket inputs | Two XLR outputs | 48 volt phantom power | LED power indicator |Active circuitry | Incorporated earth lift isolation | Strong aluminium die cast box.

 

Per Day

£3.50  (£4.20 incl vat)

 

Per Week

£7.00  (£8.40 incl vat)

Microphone Stands

Microphone Stands

Microphone stands are either Straight, Long with Boom, or Short with Boom.

 

Per Day

£2.00  (£2.40 incl vat)

 

Per Week

£4.00  (£4.80 incl vat)

 

*Priced per stand

Speaker Stands

Speaker Stands

 

 

Per Day

£3.00  (£3.60 incl vat)

 

Per Week

£6.00  (£7.20 incl vat)

 

*Priced per stand

Prices quoted are for 'Dry Hire' unless stated otherwise.

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All prices shown on this website exclude VAT, delivery & installation unless stated otherwise. Prices are subject to change without notice. E&OE.

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Tiverton (01884) 251060

Minehead (01643) 226060